dc.contributor.author | Saidullaeva, Mehrinisso | |
dc.date.accessioned | 2021-08-30T13:10:57Z | |
dc.date.available | 2021-08-30T13:10:57Z | |
dc.date.issued | 2021-08-30 | |
dc.identifier.issn | 2020/LIC/KM/21 | |
dc.identifier.uri | https://repin.pjwstk.edu.pl/xmlui/handle/186319/1136 | |
dc.description.abstract | To implement an idea in a motion picture is not an easy task for artists, it is important to interpret a story properly. Most popular filmmakers invest into refinement and new style in their works. Even if an artist can use just two colours their mission is to convey the mood of the picture, and a good colour palette can explain a meaning without any words. In the production of filmmaking a common consideration are business aspects, and directors can be separated into two types. One of them involves selling pictures, to help companies earn more, it does not mean that pictures are not considered a good movie, but it can be a reason for the absence of deeper artistic values. Francis Ford Coppola is considered a director whose works are not just a product to be sold but unique masterpieces. Coppola’s best films involve an amount of a rich palette of colors, uncommon techniques and revived traditional styles. | pl_PL |
dc.language.iso | en | pl_PL |
dc.relation.ispartofseries | ;Nr 5802 | |
dc.subject | Francis Ford Coppola | pl_PL |
dc.subject | Film | pl_PL |
dc.subject | Action movie | pl_PL |
dc.subject | Horror genre | pl_PL |
dc.subject | Film style | pl_PL |
dc.subject | Mise-en-scene | pl_PL |
dc.subject | Colours | pl_PL |
dc.subject | Costumes | pl_PL |
dc.subject | The Godfather | pl_PL |
dc.subject | Apocalypse Now | pl_PL |
dc.subject | Bram Stoker’s Dracula | pl_PL |
dc.subject | Dracula | pl_PL |
dc.title | The usage of colours in Francis Ford Coppola’s movies | pl_PL |
dc.title.alternative | The Bathroom | pl_PL |
dc.type | Thesis | pl_PL |
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