Repozytorium PJATK

The usage of colours in Francis Ford Coppola’s movies

Repozytorium Centrum Otwartej Nauki

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dc.contributor.author Saidullaeva, Mehrinisso
dc.date.accessioned 2021-08-30T13:10:57Z
dc.date.available 2021-08-30T13:10:57Z
dc.date.issued 2021-08-30
dc.identifier.issn 2020/LIC/KM/21
dc.identifier.uri https://repin.pjwstk.edu.pl/xmlui/handle/186319/1136
dc.description.abstract To implement an idea in a motion picture is not an easy task for artists, it is important to interpret a story properly. Most popular filmmakers invest into refinement and new style in their works. Even if an artist can use just two colours their mission is to convey the mood of the picture, and a good colour palette can explain a meaning without any words. In the production of filmmaking a common consideration are business aspects, and directors can be separated into two types. One of them involves selling pictures, to help companies earn more, it does not mean that pictures are not considered a good movie, but it can be a reason for the absence of deeper artistic values. Francis Ford Coppola is considered a director whose works are not just a product to be sold but unique masterpieces. Coppola’s best films involve an amount of a rich palette of colors, uncommon techniques and revived traditional styles. pl_PL
dc.language.iso en pl_PL
dc.relation.ispartofseries ;Nr 5802
dc.subject Francis Ford Coppola pl_PL
dc.subject Film pl_PL
dc.subject Action movie pl_PL
dc.subject Horror genre pl_PL
dc.subject Film style pl_PL
dc.subject Mise-en-scene pl_PL
dc.subject Colours pl_PL
dc.subject Costumes pl_PL
dc.subject The Godfather pl_PL
dc.subject Apocalypse Now pl_PL
dc.subject Bram Stoker’s Dracula pl_PL
dc.subject Dracula pl_PL
dc.title The usage of colours in Francis Ford Coppola’s movies pl_PL
dc.title.alternative The Bathroom pl_PL
dc.type Thesis pl_PL


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